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Detailed, Accurate Diagram Worth a Thousand Words in Court
By Bob Galvin

PRINTABLE VERSION

If Perry Mason had been an accident reconstructionist instead of the hard-charging attorney we relished watching in his television courtroom, he no doubt would have created the most accurate and detailed diagram of his time for that notorious "Exhibit A." Perry would have diagrammed his scene with the same veracity with which he fought to win his clients' cases on primetime, minus the benefit of today's total station or CAD drawing programs.

Nevertheless, it's safe to say that a Perry Mason exactitude applies to accident scene diagrams more than ever today now that technology is able to give a diagrammed scene a compelling, "you are there" look and feel. Yet, while drawing software programs and total station systems abound in the marketplace, technology is not the cure-all for presenting a complete and factual diagram in court. Equally important is the painstaking research required of the reconstructionist to create the diagram. After all, an overlooked detail, misplaced object, or erroneous measurement can quickly skew the whole scene once it is finally diagrammed. And when a flawed diagram is exposed in court, it can be disastrous both for the reconstructionist and his client.

Document Carefully, Photograph Everything

So, what are some rules to follow for ensuring that your methodology for preparing a diagram and diagramming the scene itself will be credible enough to withstand courtroom scrutiny?

"The first thing I can tell anybody to do is document, document, and document some more," says John Howell, CEO of John Howell & Associates, an accident reconstruction firm based in Las Vegas, Nevada. Howell, a former reconstructionist for Washoe County Sheriff's Office in Reno, and for the Nevada Highway Patrol, always starts his documentation by making a field sketch-what he calls the "first level" of documentation. The sketch should be complete, clear and easily understandable, and as accurate as you can make it. The field sketch, he notes, is basically notes, measurements, and information. "Very seldom will it be seen," Howell explains, "but if you can't have a firm base from which to start preparing a diagram, you're going to wind up with problems, and with a diagram that is not a proper view or reconstruction of the scene. If this happens just once, your reputation suffers greatly."

Next, Howell continues, it is vital to photograph everything at the scene, especially if you're fortunate enough to be able to visit the scene while it's still intact. "The photos give a little more of a clue as to where everything is. This gives you a feeling when you're actually preparing the diagram of what occurred in the accident," said Howell." If you cannot actually photograph the scene, which is most common since reconstructionists often are assigned an accident case two or three years after it's happened, collect every photograph you can.

Mike Bann, who operates Accident Measurement Mapping/West Mark Engineering, Inc., in Yuma, Arizona, agrees with Howell on the pivotal importance of taking or obtaining photos of an accident scene. "The photos should reflect what's on the drawing," says Bann. "If the corner of the fender, the light pole, and the corner of the house line up, these items must also line up in the drawing."

Since Scenes Can Change, Research Many Sources

Of course, the older the accident, the more detective work is required of the reconstructionist. This could mean that evidence will be sparse and need to be collected from numerous sources. In this instance, you'll have to use any diagrams or field sketches that were made on the scene at the time by law enforcement agencies. You also will have to use photos that were taken by law enforcement personnel or insurance agents.

To further complicate the research, roadmaps can change over time due to an area's urban growth. Therefore, the original scene may change - an intersection may have widened, lanes restructured or re-striped, and traffic signals installed or changed. Such changes may require that you obtain aerial photos that may have been taken at the time of the accident to recreate the intersection.

Choose An Accurate, Tailored Drawing Program

Another consideration important to building a solid diagram is its overall look, according to Bann. "There are always a ton of pictures," he said. "What you really need to be sure of is that you give the diagram the most realistic look because what you're trying to reconstruct is the actual scene." To achieve such a realistic diagram requires a reliable and feature-rich software drawing program. Both Bann and Howell use The Crash Zone Version 6.0 from The CAD Zone of Beaverton, Oregon. While they acknowledge that other drawing programs on the market are good software tools, they prefer The Crash Zone because it is well tailored to the needs of today's reconstructionist, is quick and easy to learn, and yields a highly accurate diagram when used correctly.

Get Lost In The Details

Bann likes The Crash Zone because it allows him to recreate an accident scene as vividly as possible with symbols like curbs, guardrails, fences, vehicles, trees and shrubs. After all, Bann said, "If you're having trouble with your scenes in court, it may be because there's not enough information in them and you've made them too simple."

Just how crucial it is to be thorough with diagramming is evident when witnesses give their testimony and it doesn't quite match with where they were standing at the scene at the time the accident occurred. For example, Bann recalls one case that his firm handled for the City of Yuma involving an intersection, gas station and a convenience store. The area covered a quarter-mile-by-quarter-mile distance. "It (the diagram) had to show the windows and elevations of objects because people were standing around from 50 to 1,000 feet away, claiming they saw certain things," Bann explains. "In reality, when we used Crash Zone to produce the diagram showing shrubbery, gas pumps, and all the poles, they could not have seen much with these obstructions," Bann added.

As part of his diagrams, Bann uses The Crash Zone's 3-D feature to provide optimal views of all angles, objects, people and locations. "When you build the scene to scale and put it in 3-D, it really changes the outlook of what is in the scene and if what was stated to have occurred really did or could have," Bann said. "The 3-D capability eliminates an attack by the opposition in court."

Howell, who also teaches reconstruction classes, favors The Crash Zone because of its short learning curve. He said he can get a student up and running on the software and producing a first reasonably accurate diagram in under 20 hours of classroom time. Other diagramming programs on the market, which are not designed for accident reconstruction, can require 200-plus hours just to master the basics, Howell noted.

Anticipate Questions of Scale

Bobby Jones, a police officer and accident reconstructionist in Knoxville, Tennessee for more than 20 years, offers some tips on using scale to your advantage in an electronic diagramming program. While Jones measures and then draws the entire scene with complete accuracy when using The Crash Zone, he often only prints a portion of the drawing so that he can highlight important points on one page. For courtroom presentations, he prints the diagrams at an odd scale so the opposing legal team will have to do their own measuring.

In one of Jones' courtroom battles, the opposing team tried to challenge the scale of his diagram by overlaying their printed version on an aerial photograph to show that it didn't match. That posed a problem, however, since Jones' original diagram was printed at a scale of 1" = 17.654'. It turns out that the opposition had used a copier to make a transparency of the diagram, reducing and enlarging it to approximate the photograph's scale. Jones informed the jury that a copier had been used to manipulate the scale of their transparency making it inaccurate. Then he overlaid a transparency he created from the original Crash Zone diagram, which, of course, had the correct scale and matched the photo. Says Jones: "The attorney I was working for took full advantage of the slip by the defense and absolutely just spanked the opposing expert."

This diagram of an intricate accident scene was contested in court by the opposing legal team who claimed it was not accurate. However, veteran Tennessee police officer and reconstructionist Bobby Jones, who created the diagram, revealed they had reduced, then enlarged it using a copier, distorting the scale of the diagram. Consequently, Jones' diagram, created to correct scale with The Crash Zone drawing program, was completely accurate.

Total Stations Help, But Not Critical

What about total stations? How critical are they to creating a faithful diagram of an accident scene's details? Although Howell and Bann each use a total station with their diagramming software, it's not essential. In fact, Howell notes that only 25 percent of accident reconstructionists use a total station. "The total station is nice to have," Howell said, "but in many of the smaller reconstruction firms it's an expense that can be prohibitive (total station costs can range between $6,000 and $30,000)."

Just the same, Bann is a hearty advocate of total stations. "When you take the Nikon total station and marry it with The Crash Zone, once you import the data from the total station you cannot alter the dimensions," Bann explains. "So, what we measure with the total station proves that the CAD Zone drawing system is accurate and it works." For this reason, Bann said his diagrams go unchallenged 99 percent of the time.

Perhaps the icing on the cake with carefully documenting an accident scene, then using a reliable drawing program to recreate it, is the money this can save if a case heads to court. Bann estimates that by using The Crash Zone coupled with his careful scene documentation and measurements, his firm has saved hundreds of thousands of dollars for various municipalities.

Generous Labeling Strengthens Diagram

If there's one aspect of an accident case with which the prosecution will get hung up, it's arguing over inches, Howell said. His advice? "Understand the limits of the medium (the diagramming program). You're not going to be able to diagram down to a quarter of an inch. Don't split hairs over it." In other words, be realistic when arguing about the accuracy of your diagram. Even though points entered into The Crash Zone have coordinates that are accurate to more than + or - .00000001", it is obviously not practical to measure the physical points at the scene to that kind of accuracy.

The vehicle was westbound on SR-215 in the #1 eastbound travel lane. The vehicle went off the roadway and into the center median, striking the end of a center retaining wall with a sideswipe meeting and continuing down the center median going up onto an overpass. The vehicle then struck the wall at the top of the overpass and vaulted down onto the roadway beneath, leaving the gouges and bouncing across the center median. The vehicle then left the lower roadway and crossed the sidewalk, striking the abuttment wall of the overpass and coming to rest. This was a single vehicle accident, and resulted in a successful prosecution.

- John Howell & Associates, Las Vegas, NV

The only other target for wrangling within a diagram, Howell added, seems to be the location of where the diagram was created. "They (the opposing attorneys) try to harp on accuracy," he said. "Be sure you label everything, keep it clear and concise, and make sure it matches the photographs." This is particularly important to a jury. Why? "Because the first time that one of the jurors looks at the diagram and sees a discrepancy, you won't get his mind off of it," Howell cautions. "You'll lose everything you said to this juror. Then you've lost all of your credibility. And credibility is everything in this business."

PRINTABLE VERSION


CadZone will be a vendor at the ARC-CSI 2003 Crash Conference in Las Vegas. There will also be a breakout presentation covering this in more detail and more...

Return to April 2003 Newsletter


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